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Sounds to be saved by the SOS project cover a wide spectrum. Examples
are noted below, and some of these can be heard. This list and its audio
links will be updated over the course of the Save Our Sounds project as
more items are digitized.
How important are these sounds? In the 1989
interview excerpted here,
Grateful Dead guitarist Jerry Garcia (1941-1995) talks about how
much recorded music influenced his life as a musician. The questions
come from Nick Spitzer and Tom Vennum at the Smithsonian Institution.
To hear the sounds linked to this page you will need the
RealPlayer plug-in for your web browser. If you find it is not already
installed, you can download it for free by clicking here.
Among the important recordings to be saved are:
- Authentic Native American music, dance, and
story recordings of the late 1800s
- Unique oral histories of the last living
ex-slaves recorded for the WPA project in the 1930s
- Songs of Americans of Chinese, Irish, Italian,
Jewish, Indian, and Latino heritage (La
Cuquita by Narciso Martínez)
Anglo and Mexican American cowboy songs from the
early 1900s
The first-ever recording of "We Shall
Overcome" from 1948 (version
recorded in Hattiesburg, Mississippi, November, 1964, in a mass
meeting by Moses Moon)
Woody Guthrie's songs, including the original
"This Land Is Your Land"
Songs and stories of the Farm Workers Movement
The poetry of Langston
Hughes
Speeches of every U.S. president since Teddy
Roosevelt (J. F. Kennedy honoring the
poet Robert Frost: "Poetry and Power")
Sounds of technology from steam
locomotives to space satellites
Speeches of Rev. Martin Luther King, Jr., and
Civil Rights leaders including "I
Have a Dream"
Interviews with coal miners, mariners, farmers,
factory workers, artists from every region of the U.S., and from
around the world
The recordings documenting American life in the
Library of Congress Archive of the American Folklife Center
The Folkways Collections at the Smithsonian
Institution (the Stanley Brothers'
"Rabbit in a Log"
The voices of musicians, artisans, and carriers
of community cultural heritage recorded for three decades at the
annual Smithsonian Folklife Festival on the National Mall
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